Exploring the darker side of his musical voice, Guy Farley (Land of the Blind and The Christmas Miracle of Jonathan Toomey) provides a truly ominous and frightening orchestral score for this thriller starring Richard Gere and Claire Danes. In a style that will remind aficionados of Howard Shore's eerie genre scores (Seven and Silence of the Lambs), Farley's Flock music makes use of dark and dense orchestrations with subtle electronic elements – but it is also yet another example of the composer's knack for thematic writing and several themes and motifs creates unity and coherence in the work. Essentially, Guy produced two versions of his score for the film - the second version features more aggressive brass and percussion as well as dissonant string writing. Our album features the best of both versions of the score! This is our third project together with Guy, and without any doubt not our last!

SNEAK PREVIEW: Listen to "Opening Montage"!

Matt Dunkley, a British composer who has worked extensively as an orchestrator for Craig Armstrong on scores such as Love Actually, Ray and World Trade Center and as a conductor on Pirates of the Caribbean: At World's End and Sunshine, has crafted a very entertaining and exciting orchestral score for this French adventure movie, known originally as D'Artagnan et les trois mousquetaires. Featuring several great themes and many rousing action set-pieces, the score also has a romantic touch as well as involving dramatic writing for choir. Dunkley recorded his score with the 80 piece Czech Symphony Orchestra and the 40 piece Prague Philharmonic Choir and mixed it in London with Geoff Foster at Air Studios. “The key factor in the whole process was choosing the right composer for the job and Matt Dunkley was that man,” said the music supervisor on the film, Anthony Vanger. “From the minute I heard the theme he demoed for the project, it was clear that he had the skills to pull it off.”

SNEAK PREVIEW: Listen to "Father and Son"!